Category Archives: Dance

UCI Selects 4 Choreographers for their National Choreographers Initiative

Whoops! I made a big mistake in my previous post…this is the revised version. Sorry Lynn! 

Every year in July NCI invites four choreographers to create works for teams of professional dancers. This year they’ve chosen: Sidra Bell, Deanna Carter, Rick McCullough, and Olivier Wevers.  

http://www.ncchoreographers.org

http://www.youtube.com/NCIDance

-Stylechica 

 

Sidra Bell graduated from Yale University with a BA in History and received an MFA in Choreography from Purchase College Conservatory of Dance. She received her training at the Dance Theatre of Harlem and at The Ailey School where she was a fellowship recipient. Ms. Bell’s works have been performed in Spain, Aruba, Montreal, Vancouver, and Toronto. She received recent commissions from the Ailey/Fordham BFA Program, Ballet Divertimento (Montreal), Arts Umbrella (Vancouver), Canadian Children’s Dance Theatre (Toronto), Purchase College Conservatory of Dance in collaboration with the Orchestra of St. Luke’s, Perry Mansfield Performing Arts School, Marygrove College, LaGuardia High School of Music & Art and Performing Arts, Springboard Danse Montreal, Ballet Austin, Sacramento Ballet, Ailey II, and the Juilliard School. She was featured in the 2009 Ballet Builders New Choreographers on Point Series. She is the founder and artistic director of her own company, Sidra Bell Dance New York.

 

Deanna Carter is a native of Seattle. She has worked extensively as ballet mistress for international companies: Taller Coreografico de la UNAM (Mexico), Aterballetto and Teatro San Carlo (Italy), Leipzig Ballet and Dessau Ballets (Germany); and from 1994 has worked internationally as guest teacher and choreographer. In 2004 Ms. Carter returned from Europe to take a position at the University of Iowa Department of dance. With works choreographed for BalletMet, Ballet Quad Cities, the Dessau and Leipzig Ballets, Tanya-Perez Salas Dance Company, and Bounard Dance Company, Deanna continues to work as a guest choreographer. In 2007 she was invited to become the resident choreographer for Ballet Quad Cities. In 1994 Deanna’s works were recognized as the “Best American Choreography” at the Nureyev International Ballet Festival is Kazan, Russia. In the United States, Ms. Carter has been awarded the National Choreography Plan of Regional Dance America and several Monticello scholarships for choreography. In June of 2004, BalletMet, Columbus Ohio’s professional company, presented Carter’s original work in their first New York season at the Joyce Theater. While at The University of Iowa, she has created several works and is the co-director of Dancers In Company, the University’s student touring ensemble.

  

 

Rick McCullough is currently a professor of dance at Florida State University. He danced professionally with Netherlands Dance Theater for over 10 years. He has also performed with the Harkness Ballet and North Carolina Dance Theater. He has been the Artistic Director of the North Carolina School of the Arts Summer Festival Dance Company for the past 10 years. He has been a guest teacher at University of Alabama, Ohio State University, Western Michigan University, and University of Utah, as well as at the Perry Mansfield Performing Arts Camp, Peridance Center – NY, Ballet Pacifica, North Carolina Dance Theater, Metropolitan Opera Ballet, and American Dance Festival. He has choreographed works for Columbia Classical Ballet, Ballet Pacifica, Washington Ballet, Pacific Northwest Ballet, Boston Ballet, and North Carolina Dance Theater. He has received numerous honors from the North Carolina State Arts Council and National Endowment for the Arts.

  

 

Olivier Wevers is from Brussels, Belgium. He received his training at the Karys Dance Center with Nicole Karys, a former dancer with Bejart’s Ballet du XXieme Siecle. He was a principal at Royal Winnipeg Ballet, dancing regularly with Evelyn Hart, prior to joining Pacific Northwest Ballet as a Soloist in 1997. He was promoted to Principal in 1998. Mr. Wevers has performed works by George Balanchine, August Bournonville, Agnes de Mille, Mark Godden, Jiri Kylian, Leonide Massine, John Neumeier, Petipa, Antony Tudor, Twyla Tharp, and Hans Van Manen. In addition to his performing career, Mr. Wevers is an active choreographer. Since 1993, he has choreographed works for numerous companies in Canada, Japan, and the United States, including: Pacific Northwest Ballet, Spectrum Dance Theatre, and the Seattle Dance Project. In 2005, he choreographed an original one-act production of Shakespeare’s A Midsummer Night’s Dream for the Reiko Yamamoto Ballet in Japan. And in 2006, he participated in the prestigious New York Choreographic Institute. Mr. Wevers is a recipient of the 2008 Artist Trust/Washington State Arts Commission Fellowship Award.

Corella Ballet looks to keep Spain’s dancers at home

My recent article in the Los Angeles Times!

Corella Ballet Looks to keep Spain’s dancers at home

Adiarys Almeida in La Bayadere

Adiarys Almeida in La Bayadere

Ballet Dancers do Beyonce…in Don Quixote Costume.

Battle of the Nutcrackers

I just find it so odd that they would make something as benign and fluffy as the Nutcracker sound so aggressive. BATTLE OF THE NUTCRACKERS-THIS SUNDAY AT THE COW PALACE (echoing sounds)…It’s just like "Monster Monster Trucks, this Sunday at the Cow Palace…"

In seriousness though, I’ll probably watch.


OVATION TV PRESENTS ULTIMATE HOLIDAY
FACE-OFF:

‘BATTLE OF THE NUTCRACKERS’

PROGRAMMING EVENT
THROUGHOUT DECEMBER

Viewers Vote for Favorite Production at
OvationTV.com;
Viewers’ Choice Winner Revealed On-Air on Christmas
Eve

Lineup Includes "The Nutcracker" Productions by
Matthew Bourne,
Mark Morris, George Balanchine, and the Bolshoi Ballet

The contenders:

Sunday, December 2, 8PM ET/PT (with encore
presentations)

Matthew Bourne’s Nutcracker!
In this
special television version of Matthew Bourne’s contemporary interpretation of
Tchaikovsky’s The Nutcracker the classic is re-imagined through the
inventive set and costume design of Andrew Ward and music direction of Brett
Morris. The production follows Clara on a hilariously bleak Christmas Eve at an
Orphanage to a magically whimsical world of Sweetieland where she passes through
Oliver Twist, the Ice Capades and the kaleidoscopic fantasy of Busby Berkeley
musicals. Adam Galbraith, trained at London Contemporary Dance School, stars in
the title role while Etta Murfitt plays Clara. Shot for television by Tony
Award-winning director-choreographer Matthew Bourne.

Monday, December
3, 8PM ET/PT (with encore presentations)

Bolshoi Ballet: The
Nutcracker

The Bolshoi Ballet revives the classic Christmas
production of The Nutcracker, which was first performed at the Bolshoi
Theatre in Moscow in 1919. This production of the ballet features the entire
Tchaikovsky score, including the Waltz of the Snowflakes and the Pas De Deux of
the Sugar-Plum Fairy and the Prince. Choreographer Yuri Grigorovich focuses on
the pure dancing skills of Bolshoi principal dancers Natalya Arkhipova and Irek
Mukhamedov.

Tuesday, December 4, 8PM ET/PT (with encore
presentations)

Mark Morris: The Hard Nut
Mark Morris
sets his production in 1960s American suburbia. With modern characters like G.I.
Joe and Barbie Dolls, and dances including the polka, hokey pokey, stroll and
the waltz, Hard Nut is an updated and playful changeup on the classic.
The presentation was shot by acclaimed, Emmy Award-winning director Matthew
Diamond.

Wednesday, December 4, 8PM ET/PT (with encore
presentations)

George Balanchine’s The Nutcracker

Macaulay Culkin stars in the title role of the first feature film of
"The Nutcracker." Directed by Academy Award®-winning director Emile Ardolino,
featuring Darci Kistler and narrated by Kevin Kline, this Peter Martins staging
of the classic fairytale follows the original George Balanchine
choreography.

Five things I like about ballet

Excellent response from NYT. I really like this back and forth thing we’ve got going here.

http://www.nytimes.com/2006/08/08/arts/dance/08ball.html?_r=1&ex=1155182400&en=e0732f40deba20e3&ei=5087%0A&oref=slogin

Ballet

In the dance world, people are talking about Lewis Segal’s piece in the LA Times "Five Things I hate about ballet." They are calling it curmudgeonly. Check it out for yourself. I think that that his intellect is apparent in the piece, however the title really sinks. Who wants to read anything with the word "hate" in the title?

However, I have a confession to make. Even though I am a recovering "bunhead," these days, ballet bores me to tears. Especially a bunch of 16 year olds with no physical maturity of movement.  You want somebody who has lived to tell you a story with their body. Enough of all these whack-whack high kicks and 75 pirouettes.   

http://www.calendarlive.com/stage/cl-ca-primer6aug06,0,7058108.story?coll=cl-stage-features